Pablo-Martín Córdoba
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3.3

Anticipation, Intentionality, "What If...": The Intention-Image

1 min read

In fact, images are not as limpid as concepts; they do not obey the activity of thought with as much suppleness; they can be governed only indirectly; they retain a certain opacity [...]
Gilbert Simondon, Imagination et invention, 1965.

The preceding paragraphs have attempted to sketch, for the human as much as for the computer, the symbolic regime as a mode of functioning built upon ancestral gestures. Returning to a much shorter temporality, we find these two entities, human and machine, interacting within the digital creative process: they confront each other, collaborate, come to terms (or not), structure each other. We will now attempt to better characterize artistic intentionality, the starting point and guiding thread of the creative process, seeking a form of coherence with the felt sense that drives this research and the conceptual framework that emerges from it. How are we to grasp what motivates the artist to begin making a work that will invest the digital “medium”? How is this intentionality distributed between the human and the machine? Finally, how does the initial intention evolve during the creative process? We will see how the processes established over the long time span, in the course of which human and machine tend toward the symbolic starting from gesture, make it possible to clarify the artistic intention that sets off and energizes the digital creative process.

In this part

3.3.1Seeing (Oneself) React (in) MatterIn 1980, Gary Hill, having had to leave his apartment unexpectedly, was forced to move into his teaching office at the State University of New York at…3.3.2Anticipation over the Long Time SpanOver the long time span – that of phylogenesis –, where the notion of intentionality loses its meaning (but where the reflexive capacity residing in matter…3.3.3The Germ of Invention: The Image-System in SimondonGilbert Simondon, for his part, when he analyzes the dynamic that leads to invention by way of imagination, also envisages a form of anticipation that…3.3.4Artistic Intentionality, Exclusive Heritage of the LivingThe germ of invention as described by Simondon, just like the faculty of anticipation discussed by Stiegler, resides in the living, here the human: it could…3.3.5The Intention-Image and Its BecomingThe intention-image can designate the intention to do a particular thing, the intention to think – about an aspect in a certain way –, to say this thing or…

Cite this pageCórdoba, Pablo-Martín. “Anticipation, Intentionality, "What If...": The Intention-Image”. In Making Digital Images in the Light of Experimental Cinema — Anthropological and Political Resonances of Algorithms in Contemporary Art, Doctoral thesis in visual arts and photography, Université Paris 8 Vincennes-Saint-Denis, Doctoral School EDESTA (no. 159), research unit AIAC, 2026. https://www.pablomcordoba.com/thesis/anticipation-intentionality-what-if-the-intention-image/