Pablo-Martín Córdoba
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3.7

Temporality of the Digital Creative Process: Individuating Microcosms

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[...] a certain kind of ligatio, a paralyzing power whose spell we need to break, is continuously at work in every image; it is as if a silent invocation calling for the liberation of the image into gesture arose from the entire history of art. 

Giorgio Agamben, Moyens sans fins, 2002.

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The preceding paragraphs attempted to better specify the digital creative processes of interest to this research – taking the personal work as a basis – through a form of “spatiality” offered to the artistic gesture, invested in various ways during the creation of each of the works.

The next step will be to describe further – without referring to specific works – on the one hand, the experiential thickness of the digital creative process as it unfolds in time, and, on the other, digital creation as a process in the course of which all the instances involved (artist, images, machine) evolve, and are progressively brought into resonance with the ancestral gestures from which they stem, as in a form of return to gesture accompanied by the emergence of meaning. Two diagrams will help illustrate this: a close-up view (Diagram A) and a wider view of the creative process (Diagram B1). These diagrams cannot claim to be exhaustive or rigid, since each artistic practice develops internal structures of its own.

  1. Diagram B will be supplemented by three derived diagrams, diagrams B.1, B.2 and B.3.↩︎

In this part

3.7.1Human Temporality, Machinic Temporality, Hybrid TemporalityThe first diagram, a close-up view at the heart of the creative process, unfolds its temporality horizontally, and seeks to account for its eventful…3.7.2From the Artistic Gesture to Ancestral GesturesThe second diagram widens the field, while unfolding the temporality of the creative process vertically, from top to bottom. Here, the human (on the left)…3.7.3Artistic Creative Process, Individuating ProcessLet us first say that individuation in Simondon is to be apprehended as a permanent, endless process, during which individuals emerge while being “never…

Cite this pageCórdoba, Pablo-Martín. “Temporality of the Digital Creative Process: Individuating Microcosms”. In Making Digital Images in the Light of Experimental Cinema — Anthropological and Political Resonances of Algorithms in Contemporary Art, Doctoral thesis in visual arts and photography, Université Paris 8 Vincennes-Saint-Denis, Doctoral School EDESTA (no. 159), research unit AIAC, 2026. https://www.pablomcordoba.com/thesis/temporality-of-the-digital-creative-process-individuating-microcosms/