Pablo-Martín Córdoba
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2.1

Destructurations

1 min read

The following paragraphs consider artistic approaches that produce and/or transform digital images by taking advantage of – and sometimes by provoking – errors or malfunctions of the computer system. The associated works find their impetus at the moment when a destructuration, spontaneous or induced, pulls the technological system out of its “normal” behavior, forcing it to act “off-program.” These destructuring strategies can target elements external to the image – such as compression codecs – as well as its internal structure, and also the symbolic and material layers that underlie the sensible level. The analysis of the works will conclude with paragraphs that seek to identify overall features of these approaches of destructuration, while the introduction that follows aims to situate these digital works within the tradition of destructuring, craft-based and analog artistic approaches.

In this part

2.1.1IntroductionIn the arts, the tendency to stray from the beaten path is nothing new. It expressed itself clearly in the Renaissance, through the stylistic evolution that…2.1.2Feinting the MachineA Vernacular of File Formats (2010) is an artistic adaptation of a booklet that Rosa Menkman, a Dutch artist, had originally designed to accompany a course…2.1.3The Destructured ImageAmong our artificial images, the digital image is undoubtedly the most fluid that humans have known. However, in an apparent paradox, the plasticity of this…2.1.4Magmatic OverflowsTakeshi Murata made his short film Monster Movie (2005) by reusing sequences taken from Caveman (1981), an American B-movie comedy. Originally, these…2.1.5Unbinding CodeFrom the work of Jodi, a duo of artists formed by the Dutch Joan Heemskerk and the Belgian Dirk Paesmans – emblematic figures of online art – the notion of…2.1.6Unmasking the SupportAlthough the illegal distribution and sharing of copyrighted content preceded the digital era and the deployment of the Internet, it was with the advent of…2.1.7The Tortured ComputerIn a video barely two minutes long, edited in jerky synchronization with an electro-trash soundtrack, the sole recording of a performance carried out in…2.1.8Destructurations, PerspectivesIt is by dismantling, even if only partially, pre-existing structures that the gestures we have studied succeed in making a work. The structural features…

Cite this pageCórdoba, Pablo-Martín. “Destructurations”. In Making Digital Images in the Light of Experimental Cinema — Anthropological and Political Resonances of Algorithms in Contemporary Art, Doctoral thesis in visual arts and photography, Université Paris 8 Vincennes-Saint-Denis, Doctoral School EDESTA (no. 159), research unit AIAC, 2026. https://www.pablomcordoba.com/thesis/destructurations/